ED51D-0839
The Role of Outdoor Art in Urban Environmental Education

Friday, 18 December 2015
Poster Hall (Moscone South)
Gabriel Michael Filippelli1, Mark Kesling2, Travis Ryan3, John Fraser4, Fiona McDonald4, Amber Rollings1, Mary Miss5 and Belinda Kanpetch5, (1)Indiana University Purdue University Indianapolis, Indianapolis, IN, United States, (2)Da Vinci Pursuit, Indianapolis, United States, (3)Butler University, Indianapolis, United States, (4)New Knowledge Organization, LLC, New York, United States, (5)Mary Miss Studio, New York, United States
Abstract:
Finding ways to engage youth in inadvertent learning about nature and the environment is challenging, particularly in urban areas where environmental literacy is profoundly limited by access to safe and representative spaces. Termed the Nature Deficit Disorder, the lack of contact and connection between people and their environment leads to a less than holistic approach to environmental management at the personal and governmental levels. One of the challenges is developing ways to engage youth in science learning not by bringing them indoors to a science museum but rather by taking the science museum outdoors. Funded by the NSF Informal Science Learning program, we launched a collaborative between scientists and artists to understand the nature and impact of environmental learning through outdoor art and science programming, called StreamLines. Launched in 2014 and now near full deployment, the program is part of a bigger initiative in Indianapolis (Reconnecting to Our Waterways) to embrace the multiple waterways that traverse the city as a valuable community and health resource.

This collaborative is designed to function on multiple levels. An Artist and Scientists Roundtable engages practitioners in regular conversations supplemented by external readings to share how practitioners use concepts and tools from the “opposite” side to inform their work and scholarship. Physical installations of iconic art at individual sites reflect the environmental conditions at individual sites are designed as tools for explicit and implicit learning and exploration about the environment. Music, poetry, and dance programming developed for individual sites portray cogent characteristics of place and are meant to allow visitors to see how artists engage with and draw from the environment for inspiration. A research approach unpins all of these efforts, utilizing a set of different sample populations to explore environmental education and potential advocacy after interactions with components of StreamLines.