Soundscape studies in Montreal's Biodome: using enclosed ecosystems to explain biodiversity to the public

Karen E Fisher Favret, Spatial Temporal Earth, Montreal, QC, Canada
Abstract:
The Biodome in Montreal is a unique public museum with over 750 species organized into five different ecosystems. We spent several weeks obtaining soundscapes from three of these: Gulf of St. Lawrence, Labrador Coast, and Sub-Antarctic Islands. The idea was to leverage the accessibility and known biodiversity of these mesocosms to calibrate instruments, evaluate methods for assessing biodiversity, and educate people ranging from the penguin keeper to the general public about soundscape ecology and biodiversity assessments. The Gulf of St. Lawrence exhibit has hundreds of fish that belong to 20 species swimming in 2.5 million gallons of seawater, with seabirds and invertebrates nearby. The Sub-Antarctic Islands exhibit, by contrast, has four species of penguins. As part of Montreal’s Space for Life program, there is a searchable index of the species available to the public: http://espacepourlavie.ca/en/fauna-and-flora-biodome.The emerging field of soundscape ecology offers a new approach for effectively monitoring changes in sounds generated by communities ranging from urban centers to oceans. The entropy-based approach pioneered by Sueur et al., (2008) characterizes acoustic spectrograms based on the spectral space-filling properties of the sound producers. By calculating the complexity of the acoustic environment, we can detect cycles over various time scales. Disturbed systems can be detected by changes in the timing and frequency of sounds filling various "niches" in the soundscape that might act as early warnings of changes induced on scales from single events to climate shifts. These changes range from presence or absence of vocalizations by individual species, to changes in the higher order statistics of the daily sound structures that include sounds with physical, biological, and human origins. Here we show what we have learned so far about comparing enclosed ecosystems to the real world outside, and some of the challenges and rewards of using soundscape ecology as a vehicle for outreach.